Wednesday, April 17, 2019

Malcolm X

My memories of Malcolm X date back to when I was a kid. I distinctly remember the photograph of him with his pointed finger, and his assassination quite a topic of conversation years after the event in the decidedly racist neighborhood in Queens where I grew up.

I'd read bits and pieces of his autobiography over the years, but only recently in one hit, oddly, on a plane to Bogotá this January. The Times, in its review back then had called it a painful book, and it was. The stories are well known, and I'm not going into them here. Except one.

Something I found resonated with me: the passage where he described a time when he was in a foster home with a white family. He described social workers, neighbors and others coming over to view how he was getting along--as if this could be measured--in the foreign environment to which he had be relegated.

What struck me was that he, his situation and his details about his daily life were discussed and dissected plainly in front of him, without the first consideration that he participate or be included in the conversation, or that he had any understanding--or the ability to understand what was being said about him. He observed and felt that he was treated like a piece of property, like a piece of real estate or a farm animal.

By Any Means, digital typographic com-
position, 22 x 30 inches 56 x 76 cm.
I don't know if that's how all children were treated at the time, or if adults in that part of the US behave differently toward kids than liberals in Manhattan, but it resonated with me because I've seen this time and again with different individuals. The elderly, women, the differently-abled, foreigners, the poor. They're treated like specimens, in the worst sense of the word.

Making yourself prominent and respected on the most basic level of consideration, needs to be the springboard for any type of equality. That level of consideration could be quite complex, even at if it is elementary, and the exercise to explore, much less understand that consideration is a process that occurs over a period of time, on various levels and in an expanding network of ideas, cultural knowledge and historical facts.

Simply put, you don't wake up one day and understand "diversity". You don't get over "separate but equal" over night. We've been working on it for over a century and usually fail with a few pockets of success. However, what I find disheartening is when I see people who really ought to know better and have a sense of understanding and compassion, fall into what their insular circles have taught--and reinforced--over their lives. To the point that there isn't a chisel sharp enough or hard enough to break through the ice.

The piece shown was composed in AI and a number of design considerations were made to make the text readable. It's planned as a silkscreen, printed over the next few weeks.

Tuesday, April 16, 2019

Life Getting in the Way of Life

Very, very much time has passed without my writing, but that doesn't mean that I've set the project aside. Quite the opposite. The project has taken many new directions, and my research into print methods has been a journey that at once includes discovery and mourning as well.

It's almost impossible to get anything printed offset, unless, of course, you're a newspaper or magazine making thousands of impressions; the way to go nowadays is the INDIGO, which, out about ten years now, has pretty much replaced offset for anything other than web press applications (For those who don't know the term web press, it has nothing to do with the internet. It's a huge printing press, with six or more colors, and the capability to print both sides of a sheet in a single pass. The paper comes off huge rolls which are stored either at the press or a separate warehouse where the temperature is controlled. The printed sheets then go through a folding stage, and then brought by a conveyer belt to its end where it's made ready to bind. It's not the kind of press you can have in your garage).

Small runs of offset are non-existent. Funny, I used to be a quality control foreman in an offset printing plant, one of the few in Long Island City. We had some big perfecting sheet-fed perfecting presses but also, a little gem of a four-color mini-press, which I was hoping to find to print one of the pieces. To no avail. A few short years and this print method is dead, buried, dust.

The design work, however, has been ongoing--material being produced weekly from the goings on in Washington and all its ramifications. There are very disturbing trends that merit exposure, but the work must get out immediately. Like a printed periodical (ha!), if it doesn't get out, it's stale, old, and, as we've discovered by this administration, immediately supplanted by a new barrage of plainly weird news.


I wrote the copy for the piece above; sent it out to print digitally on Arches 88. Looks great. I might edition it and offer it for sale.

Additional posts coming this week, as a lot of the research is finally coming to fruition.